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FRANCE AND THE FRENCH
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For many years France was a nation of internal contrasts —
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between the more urban and industrial north and the rural south,
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between the intellectual elite and the largely agricultural workforce,
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between chic Paris and the less sophisticated provincial cities — and a
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nation that saw itself as standing alone, distinct from all others.
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Much has changed in recent times. Paris is no longer the
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ultimate mecca for ambitious young French from the prov­inces; cities
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around the country are attracting young professionals who want to
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escape the more frenetic life in the Ile de France; the number of
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agricultural workers has shrunk dramatically; industrial and high-tech
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centers have sprung up around the country; provincial cities are
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developing their own international reputations; and immigration and
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increasing migration of populations within a “border-free” Euro­pean
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Union are blurring the edges of the French identity.
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France remains, however, a splendid and individualist
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country that has much to offer to the foreign visitor. The French
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people — despite occasional rumors to the contrary — welcome tourists
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and are eager to show off their country, their way of life, their
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traditions, and their beliefs; in short, their essential joie de vivre.
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They are proud of their nation and have a right to be.
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Quality of life remains their paramount preoccupation. It is
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no accident that the French are best known for their food and wine,
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their clothes and perfumes, their dashing art and monumental
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architecture. Their love of perfection serves them well.
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Give French cooks a couple of eggs and they won’t just boil
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them, fry them, or make an omelette (all of which they’re quite
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prepared to do superlatively) — they feel obliged to produce a delicate
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soufflé or a rich hollandaise sauce that makes an egg proud to be an
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egg. Even a lowly croque-monsieur is a world away from a ham and cheese
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sandwich. You will still find the elegant, spare plates of ­nouvelle
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cuisine, but there is a new focus on heartier dishes and an acceptance
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of cuisines of other countries.
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The French attention to detail is found in all walks of life
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— from the way a scarf is tied to the planning of the summer flow­er
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displays found in small villages (national prizes for the prettiest
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village are hotly contested).
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France is blessed with an astonishing variety of landscapes:
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long, high dunes on the Atlantic Coast; craggy coves in Brittany;
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vineyards in Burgundy; steep gorges in the Tarn; olive trees and
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vineyards, umbrella pines and cypresses in Provence; and lazy beaches
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in the Côte d’Azur. All these are as typical of France as the more
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conventional images of rolling green meadows bounded by straggling
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hedgerows and arrow-straight avenues lined with plane trees, a village
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visible on the horizon, clustered around its church.
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The country is a veritable compendium of geography. The
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plains and plateaus of Picardy in the north and Alsace to the east lend
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themselves to large-scale agriculture before ending in the gentler,
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rolling green fields of Normandy to the west and the vineyards of
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Burgundy that herald the beginnings of the south.
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The Alps of Savoie and the Dauphiné peter out in the rugged
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little Alpilles of Provence. The formidable barrier of the Pyrénées
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forms the frontier with Spain.
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With these mountain ranges protecting the eastern and
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southern frontiers, the mild Atlantic winds penetrate deep inland,
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bringing with them all the rain and sun needed for a highly productive
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agriculture, while avoiding the extremes of a continental climate.
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Inland from the Atlantic coast — Aquitaine, Dordogne,
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Périgord — the southwest is rich in farming and vineyards. It’s the
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land of good duck and goose, of fine Bordeaux wines. Pointing out into
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the Atlantic on the country’s western edge, Brittany’s spectacular
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shoreline has earned the region a reputation for rough weather. In fact
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it enjoys the mildest of climates, even in winter, and provides many a
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pleasant seaside resort in summer.
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The kings and counts and feudal lords have gone from the
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Loire Valley and the forests and marshes of Sologne, but the hunting
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and fishing country remains. At the country’s heart, slightly north of
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the geographical center, Paris nestles in a basin ideal for industrial
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and commercial enterprise, comfortably surrounded by the forest and
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farmland of the Ile-de-France. And the Champagne area lies conveniently
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to the east to help celebrate its successes.
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If the land itself is the most obvious source of French
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pride, the nation’s cultural wealth is just as important. Philosophy
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and the fine arts do not intimidate the French as something to be
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confined to a small élite. For most people, “intellectual” is not the
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dirty word it seems to be in so many other countries. Museums are as
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popular as sports ­stadiums, and crowds flock to theater and music
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festivals in spring, summer, and autumn all over the country. Even
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popular arts such as advertising, the cinema, comic strips, and fashion
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are elevated to the level of high culture, with their own museums and
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festivals.
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An active government cultural policy in recent years has
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­preserved the architectural monuments of the “national patrimony” from
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the ravages of time, weather, war, revolution, and urban development.
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Through­out the 1990s, partly in preparation for the 2000 Millennium
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celebrations, façades were scrubbed and buildings generally
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refurbished. Innovative use has been made of outdoor facilities for
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summer festivals, especially Roman ruins and medieval monasteries. In
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addition to recorded commentaries, you will find bright young art
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historians who are enthusiastic about the places where they work and
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their areas of knowledge. Their descriptions are fresh and informative,
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and they’re glad to answer questions that go beyond the brochure or
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guidebook. Many important monuments are beautifully lit at night,
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making city centers an evening treat.
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While Paris is still a major destination for sightseers,
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travelers should not ignore the charms of such provincial cities and
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towns as Lyon, Montpellier, Rouen, and Strasbourg. All feature a blend
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of ancient and modern, of dignity and fun, and strive to make the
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visitor feel welcome and treasured.
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The country offers plenty of outdoor enjoyment, too:
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swimming and other water sports, or just sunbathing, on Alpine lakes,
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on the beaches of Normandy and Brittany, or at the famous resorts of
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the Côte d’Azur; first-class skiing in the Alps and Pyrénées; canoeing
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down spectacular gorges; and marvelous hiking around the country’s
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national parks and nature reserves. Evidence that France is far from
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being a country of hidebound highbrows is the fact that the Marne
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Valley, east of Paris, was selected for Europe’s first Disneyland.
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France is internationally acknowledged to be a leader in
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high technology and is happy to share its pride in these advances. With
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its flagship Géode entertainment center, the Cité des Sciences et de
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l’Industrie in La Villette, on the outskirts of Paris, attracts science
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buffs young and old. La Cité de l’Espace in Toulouse is dominated by a
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replica of the Ariane rocket. Even if you don’t get on one of the
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high-speed TGV trains, you are almost certain to see one zoom past.
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The people are as varied as their landscape, but don’t let
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anyone tell you the French national cliché is a myth. The red-nosed,
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mustachioed fellow with a beret on his head, a crumpled cigarette
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drooping from his lip, and a long baguette or two under his arm
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certainly does exist and can be seen in all regions of the country. But
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there’s all the difference in the world between the prudent,
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close-mouthed Norman and the vociferous, easy-going Provençal, between
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the pious Breton and the pagan sophisticate of Paris.
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For a people so fiercely proud of their identity, the
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French are a rich mixture. In Picardy the Flemish influence is
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unmistakable, and although Alsace may celebrate Bastille Day at least
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as proudly as any other French province, its cuisine, wines, and
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dialect all reveal a profoundly Germanic influence. The Côte d’Azur and
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Corsica both have a distinctly Italian flavor, and the people on the
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northern slopes of the Pyrénées are not so very different from their
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Spanish cousins to the south.
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France has always been a haven for foreign artists. Not by
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accident did Van Gogh come from the Netherlands, Picasso from Spain,
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Max Ernst from Germany, and Chagall from Russia to make their home in
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France. One of France’s greatest poets of the 20th century, Wilhelm
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Kostrowitsky, better known as Guillaume Apollinaire, was born in Rome
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of a Polish mother and an Italian father. Irishman Samuel Beckett
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happily wrote plays in French. And Kenzo, Lagerfeld, and Cerruti design
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in the international but inexorably Paris-based language of haute
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couture.
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Despite occasional tensions, perhaps inevitable in times of
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economic uncertainty, today French people increasingly recognize that
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the immigrants from France’s départements in the West Indies and from
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former colonies — Algeria, Tunisia, and Morocco — enrich the national
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culture and add spice to the country’s cuisine. And as the European
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Union matures, Europeans are taking advantage of opportunities to live
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and work in different countries. British families are buying second —
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or first — homes in France; French young people are choosing to settle
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in London or Dublin for a time. It all makes for a wonderful and
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exciting mix, adding to that greatest of French assets — a vibrant and
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varied street scene.
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For the first-time visitor, France will seem at once
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delightfully different and comfortably familiar, a country of exciting
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and infinitely attractive contrasts.
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